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In this article we discuss the all critical sketching and establishing of the principal landmarks of the skull. Aside from the arabesque, these include the brow ridge, the hinge of the jaw, the top of the nasal bone, and the facial angle.(read
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In this expose we talk about the drawing of the so-called construct or complete arabesque. We clarify some of the ideas that go into this idea and how to realize them.(read
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In this expose we talk about several blending procedures that allow you to construct a unified value matrix for your pencil portrait sketch.(read
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In this article we talk about the construction of value. We clarify several techniques and approaches to observe and block-in big masses of value. We also remark on the importance of learning the anatomy of the head.(read
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In this article we discuss in detail the six elements of a pencil portrait drawing: form, proportion, anatomy, texture, value, and planes.(read
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In this commentary we discuss the all important drawing of the arabesque as the first step in the production of a line-drawing. We discuss its properties and its importance to the production of a accurate likeness of your portrait model.(read
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